Maybe should've stayed at home with the X-box eh? |
Boyle delivers the story of overly-ambitious outdoorsman Aron Ralston with the trademark style, pace and originality seen in Slumdog Millionaire and 28 Days Later. Using the same team from Slumdog clearly pays off; everything from the music to the split-screen action engages the audience from start to finish.
For those entering the cinema knowing the plot, the over-whelming sense of dread of what's to come is constant, but is frequently reduced to more of a dull pang during scenes of humour and poignant flashback. Any film that keeps the audience urging on the protagonist even on the cusp of inevitable horror is, quite frankly, ruddy impressive.
James Franco gives an outstanding performance in what is fundamentally a one-man show; conveying a spectrum of emotions convincingly, with just the right amount of humour and charm to keep the audience captivated and rooting for him.
It's impossible not to mention "the scene" - the one in which Ralston is forced to tear off his own arm with a blunt knife, in a state of dehydration and delirium following five days trapped in the canyon. I think it's safe to say not one person in the full cinema sat comfortably through this scene. There were gasps, squeals and jackets at eye-level for the entirety. Upon exiting the cinema, everyone looked suitably exhausted.
Those of a nervous temperament/ with high blood pressure should perhaps give this one a miss - anxiety junkies will be in their element!
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